Butterfly Transformation Tsui Hark's debut work is also one of the flagship works of the new wave of Hong Kong cinema. Although the film's quality, character design, and martial arts are somewhat rustic, it does occasionally shine with dazzling light and exude a unique temperament, surging with a fresh and surging vitality. The addition of detective suspense elements to martial arts films and the unremarkable male protagonist of martial arts films have made this film a wonder in the film industry. New Shu Mountain Swordsman The most acclaimed feature of this film is its imaginative special effects, which has changed the traditional belief that kung fu films only play back and forth, and is therefore regarded as a milestone in the history of Hong Kong's film special effects. In this film, Tsui Hark incorporates the elements of flying monsters into ancient martial arts, creating a school of so-called "Eastern Magic". Hell Without Doors Tsui Hark's "Hell Without a Door" can be said to be an allusion to the society at that time, using an unknown village as a metaphor for the overall social environment in Hong Kong. However, the indifference, contempt, and even mutual slaughter between people in it are different from the cruel struggles in reality? The Song of the Sunset of Heroic Nature This film is the third episode of "Heroes Who Are They" directed by Tsui Hark. Chow Yun-fat's performance in the film is still impressive, but the director deliberately portrays Anita Mui as a heroine in troubled times. If it weren't for the action scene of tank cars running aimlessly on the street in the later part of the film, which was a bit out of control, this film would have received a higher rating. Wong Fei-hung The Tsui Hark version of Wong Fei-hung has made Wong Fei-hung fall in love with Aunt Shisan, who is much more lively and lively. In the plot, many national enemies hate the national justice, and Wong Fei-hung, who wears the national hero's cassock, appears to be a great master. Luxury Night Banquet Such a grand scene is unprecedented in the history of Hong Kong cinema. The most surprising thing should be the last scene of the film, where Michael Hui, the cold faced comedian, and Zhou Xingchi, the king of comedy at that time, competed for a piece of chicken head. The rivalry between two witty experts may be exhilarating. The Double Dragon Club The film adopts Hollywood style computer synthesis technology, with Jackie Chan performing a separate segment and then combining the two scenes with editing techniques and film overlap. Therefore, many of the scenes where the "two dragons" stand side by side in the film appear very interesting. Green Snake Elevate the original intention of the work to a higher spiritual level. Tsui Hark spiritually enhanced the content of the novel through film language. The beautiful and romantic scenery, magnificent and graceful character designs, carefully crafted dialogue, and just the right inner struggle in the film are all perfect reproductions of the original work. The Legend of Shu Mountain Before the completion of "The Legend of Shu Mountain", Stephen Chow's "Shaolin Football" claimed to use over 400 special effects shots, making it the most popular Hong Kong film. And Tsui Hark's "Shushan Biography" uses a total of over 1600 special effects shots, which can definitely be called "unprecedented" in Hong Kong films. Cop Land Slow Horses Season 2 Hellraiser Wisdom to Take the Tiger Mountain Tsui Hark still relied on his unconventional imagination in "Triumph of Tiger Mountain 3D". Tsui Hark's movements are always fast, but his unique secrets